2 November 1994



              RI-18i   'LRH on Wolfgang A. Mozart'


from Ron's Inspector


Message # RI-18i for Internet




LRH on 29 Oct 1994, 14:01 GMT:

"Koos wants to have auditing on the SPs in his Mozart time
 to look at them further. Salieri, Leopold Mozart,
 Wolfgang's wife, his mother, a Church Official.

"Koos wants to create music again.
It's there/it's not there: the know-how, the ability,
 the urge.

"Koos refuses to simply sit down and create music, he refuses
 it and in that refusal lies a vow, a decision, ''If this
 and this condition is fulfilled I will, but not before, not
 unless...''.

"So, which SP has to be handled first that holds the key to
 Koos' willingness to know composing again, play violin,
 or flute or piano as he knew it?
Koos now and then, rarely, sets out to just do it:
 plays flute.


"There is his very responsible decision, still now: ''I have to
 handle their evil intentions.''

"He tried then, he certainly did.

"How to handle non-aliveness, MESTyness, intrigues, suppression,
 others 'being victim':


"Father Leopold: devote, letting himself be suppressed
 and agreeing [to that] as if it is normal.
Enforcing his solutions on Koos/Mozart, [his solutions] for
 economic pressures, intrigues, betrayal, indifference of
 others, for villains, villainy, for evil intentions, for
 bank of others,
 and by that, trying to suppress Koos/Mozart to his [Leopold's]
 level of 'victim', and calling it 'cleverness' and calling it
 'knowing the world better than Wolfgang.'

"And fighting with his son to get his [Leopold's] succumb
 intentions acknowledged as 'clever survival intentions' and
 'cleverness in understanding how to play the game to survive.'
Being right. Being suppressive, being invalidative, being
 unsuccessful, but being right.

"Koos' upset about that: Father Leopold - all while being
 suppressed - was boasting how well he understands to handle
 that (bad conditions, intrigues etc.).


"Koos/Wolfgang Mozart put all his knowingness about life and
 being a spirit into his music. That's life, that's beauty,
 that's high ARC. A spirit communicating.

"Koos/Mozart: ''There is music, there is the physical universe.
 Those two things do not go together, cannot be reconciled''

"Koos/Wolfgang Mozart, his goal: ''You lift people up ABOVE the
 physical universe.''

"Father Leopold: ''You must understand people IN the physical
 universe, you DON'T lift them up. You understand the laws of
 the physical universe and how to live in it; then you can
 survive! If you are very clever about it.''


[Ron to Koos:] "We, you and I, think it is worthwhile to include
 others in our survival and to want to lift them UP.

"Ok, we looked at some aspects, some charge blew! More ARC!

"That's for a start on 'Mozart'!"



LRH on 29 Oct 1994, 13:31 GMT:

"Koos wanted to know, wondered many times this lifetime, why
 people around him do not see him, when they know his music,
 there is so much of him - also this life-time life energy and
 emotions, ARC, and knowingness in his music, which he composed
 as Mozart - that it should be very easy for others to see him.

"There is an ARCX - enforced Reality - in that: when Koos
 considers people know him, but people do not know him.


"Koos as Mozart, creator of music, had been knowing cause:
 creating effects that he intended to create,
 1. in his music, 2. on the listeners and public = on people
 that he wanted to reach.

"Koos created the effects he wanted to create,
 to make people emote, cry, laugh, be lifted up, key out,
 become alive, he was most of the time duplicated in his music
 - if not fully, but to a certain height.



LRH on 1 Nov 1994, 22:06 GMT:

"Koos considers it normal to get interest, affinity, admiration,
 reverence, respect, interest, friendship offered, because it
 is him.

"As a child Koos as Mozart considered that naturally, and it
 was a fact, and he saw it offered: the affinity, the interest,
 to him, not to the child ('l'enfant prodige'), he did not
 consider himself as a child, he was he, and he considered that
 this will go on.

"Koos/Mozart's ARCX when the interest in him, the
 'self-understood' affinity that people gave him
 where he came, when that diminished.

"ARCX about refused Affinity, that he was not wanted,
 [was not] welcome just for himself because of himself but
 for being in a small body, which then had grown to the size
 of an adult, but he remained HE after all and why should
 people suddenly have less desire to meet him, invite him,
 less interest to listen to his music and enjoy his presence.

"His readiness to give other people Affinity diminished, and
 he kept wondering why others diminished ARC for him.

"[Why:] No data on SPs then.

"Who was the SP at Mozart time?
 a bishop, a Church Official.

"This Church Official was an SP and he was very suppressive to
 Mozart - [Koos/Mozart was being] suppressed where he [Koos]
 expected it the least.


                                  LRH"


Copyright 1994 by Koos Nolst Trenite




So now we have a look at this bishop, who is now called
 Kurt Weiland, OSA INT Director, and what he has to say
 now, (and we report this per HCOPL 'Confessionals ---
  Ethics Reports Required').



Kurt Weiland on 2 Nov 1994, 8:51 GMT:

K. Weiland: "My intention to have Koos not there: to not
 allow him to be in certain areas and have contact with
 certain people.

K. Weiland: "During or over several life-times, several overts
 on that.

K. Weiland: "I have prohibited Koos as Mozart to perform
 his music in the area of my control. I have advised people,
 strongly, to not be in contact with him, and ban his music
 from their area.

K. Weiland: "That is, I have brought Mozart into discredit with
 lies and slander, I have raised doubt and hatred against him,
 I have made people PTS so that they didn't dare to stay in
 contact with him.

K. Weiland: "I have cut and/or curtailed his income sources.

K. Weiland: "I have enforced on Mozart to stay out of areas
 where HE had won friends and where HE had changed conditions
 from dullness to aliveness, from MESTyness to theta.
I drove him out of these areas where I had, because of my
 position [as bishop], influence.

K. Weiland: "I favored someone else - another musician - whom I
 considered a bothersome nutcase, an unpleasant natterer,
 but who was socially more acceptable, not a 'revolutionary'.
 [He was] a willing servant that helped my evil intentions then
 - me, as an important figure in churchlife - to keep people
 social, devote, and dominated.

K. Weiland: "I didn't like the other guy (Salieri) but he was
 'useful' to me (according to what I thought then, who or what
 would contribute to my evil intentions).

K. Weiland: "I wanted to harm Mozart, like a compulsion, an
 uncontrolled compulsive rejection of Koos/Mozart - Koos as
 a being.

([Auditor:] Which was in Coloredo time, Mozart time: a flaring
 up of antagonism (of him as Coloredo), whenever he met Mozart.)


K. Weiland: "Something on music, some earlier track overt on
 beings, and in connection with music.

K. Weiland: "I have trapped beings with music, with
 beautiful sounds, with a magnificent orchestra,
 thousands of people playing in it.

K. Weiland: "They were only allowed to play MY music, others
 were only allowed to listen to MY music, I denied everyone else
 the right to create music.

K. Weiland: "My music wasn't bad, but I suppressed others to
 be creative!"



Kurt Weiland on 2 Nov 1994, 17:20 GMT:

 [session on different subjects,
  not on the subject of Mozart]


K. Weiland: "Where do we stand now? I think I could need
 his [Koos'] assistance.

K. Weiland: "I can NOW duplicate Koos' beingness and intentions.
 I would like to hear from Koos!

                             Kurt Weiland"



Koos Nolst Trenite - Ron's Inspector

Copyright 1994 by Koos Nolst Trenite