1 July 1995
revised 10 March 1997
RI-222Ri 'Michael Jackson, Help for him'
from Ambassador for Mankind
Message # RI-222Ri for Internet
(Revised to increase quality)
Includes a list of 'Notes on Art' by Ambassador for Mankind.
"Hey, you know - Auditing [by Ambassador for Mankind] can be fun!
It's [looking at and] admitting what I created!"
'Michael Jackson'
reference:
RI-771i 'Use of Telepathy' of 4 Jan 1997
http://Art-Org.com/ri-bulletins/ri-771i.htm
I am showing you the report of
the Telepathic Communication Assist
done for Michael Jackson at a time
when I perceived he needed my help.
This Telepathic Interview, done some time ago, on 5 December 1994,
proves further
that the (June 1995) allegations against Michael
are false and are solely borne out of
the very well known vicious and malicious intentions
of some of the citizens of Earth
against the very able, against the very alive.
Telepathic Communication Assist for Michael Jackson,
on 5 December 1994, 14:00 GMT
ordered by Ambassador for Mankind.
At 14:00 GMT
[Note by Auditor (someone who listens carefully:]
Before I, Auditor, started the session,
I went into telepathic communication
with Michael Jackson.
This is what I perceived:
Michael is taking drugs to perform on stage.
He needs to come off drugs.
And he needs an
"Interiorization/Exteriorization Handling"
(he is frequently changing
from being exterior from his body,
to being interiorized into his body
and he has trouble with that).
LFBD's-F/Nind
I indicated to Michael Jackson
that the above is the case.
At 14:25 GMT, 25 minutes later:
[Auditor:] What are you withholding from [not telling] Koos?
[Michael:]
"Drugs, headaches,
unpleasant Exteriorizations [going out of the body]
on stage while performing, only recently.
"I am forced out of my body
by the dope [drugs] and the noise of the music.
"My head seems to be under heavy pressure,
like floating alone, and
I find myself moving higher
and higher up, and
I perceive my body performing, dancing,
strangely,
lonely,
and
I perceive my people
(audience,
musicians,
technicians)
all at once, like
in a padded... foggy mass. LF LFBD
"It's only for a few seconds [that that happens],
and it has repeated several times since,
since when??
It's hard to continue the show,
it is an awful strain to keep singing:
How do you keep singing
when your body is far below you? LF
"Then I want to
'cut the cords [lines, streams of energy
which anyone creates to steer and command his body
and to get sensation from the body]' -
but I am afraid. LF
"Sometimes I just wanted to let go
and float off like a balloon.
"But I get down to my body,
I always got down,
and
then I am perceiving my head like lead,
something pushing me down.
"And all the time I have my motions well grooved in,
you wouldn't notice anything.
"Then it's gone again after some minute.
And a headache remains.
"But most of the time it's just great,
free floating, light,
I am at ease with all those kids around me.
"I like people, and they like me."
[Auditor:] What have you done against Koos? LF LF
[Michael:]
"My wife [Lisa Marie Presley] tells me
it's an Overt [a non-survival act] to leave Scientology,
my Auditor told me
it's an Overt [a non-survival act] to leave my wife.
"I guess it is.
But, they are all so serious!" LFBD
[Auditor:] What are
they (Scientologists, your Auditor, your Case Supervisor)
so serious about?
[Michael:]
"That I took drugs
- hardly take any now, except this present dope.
"That I was promiscuous, F
that's show-biz [show business], I knew a lot of girls." F's
[Auditor:] What SHOULD they really be serious about?
What non-survival act SHOULD they find out? LFBD
[Note by Auditor:] Mental space clears up. LF
[Michael:]
"Some 20 years ago, LFBD
I helped a friend to drugs,
and he died,
I helped him for a good period of time
to have money to buy his stuff. LF
"He wasn't such a good performer,
he was a heavy druggy, poor kid, wouldn't come off."
[Auditor:] Did you kill him? LF
[Michael:]
"Not directly. I contributed to him dying."
[Auditor:] What did you do?
[Michael:]
"I financed his drugs for three years." LF
[Auditor:] When was that?
[Michael:]
"In 1980, F
1981, LF
1982." LF
[Auditor:] When did he die?
[Michael:]
"In 1982." LFBD
[Auditor:] Where did he die?
[Michael:]
"In Los Angeles.
"I seldomly saw him in these three years. LF
"I thought what I did was being responsible for him. LFBD
He shouldn't have died." LF
[Auditor:] What are you withholding from Koos? LF
[Michael:]
"Being different personalities." LF LFBD
[Auditor:] About which personality
should Koos not, nor anybody else, find out?
[Michael:]
"It is an evil being, a satanic being.
It is the other side of me. LF
It exists. It doesn't exist. LFBD
[Auditor:] When was it? F
[Michael:]
"When was what?"
[Auditor:] When did this being (this personality) exist?
[Michael:]
"Well, yes, it existed! LFBD
It was me!"
[Auditor:] When was it?
[Michael:]
"In the year 1474."
[Note by Auditor:] I get a mental picture from him:
A deserted town in Italy near the sea;
a wide square;
block-shaped buildings around.
Far from the center of the square,
a harbour town in midday sun-glare.
A crippled man with scars in his face,
sitting in the shade of a fountain
in the middle of the square. LFBD
[Note by Auditor:] Michael confronts, faces
this Beingness (his personality) of that time. LFBD LFBD
[Michael:]
"I hated children.
They were throwing stones at me. I threw stones at them.
I shouted at people. Cursed them.
Real crazy!
I made people scared. I laughed at them.
[Michael now, about what he did then:]
"I don't like that.
Sometimes I had impulses to be that ugly to people,
to my audience." LFBD
[Auditor:] How else ugly?
[Michael:]
"Shock them, scare them,
keep them running away from me in terror, and
laugh about them.
"When I was mad at
a crowd that
surrounded me and shouted insanely and tore at my clothes, and LFBD
trampled each other down and
behaved like animals,
then
I would have liked to be a bat or a vampire:
I would have lifted myself up out of their midst, and
I would have, with my fangs,
grabbed one after the other and
pulled them out of the crowd and up, and
I would have, with a laughter like a goat,
liked to drop one after the other into a nearby lake.
"That ugly!" LFBD
[Note by Auditor:] Relief of Michael. LFBD
[Michael laughs:]
"Hey, you know - Auditing [by Ambassador for Mankind] can be fun!
It's admitting what I created!
OK, I created such a creature as being myself.
"I have created a lot of images of myself, LF
some I am proud to show, LF
others I rather hide. LF
"Might be better [to hide them].
But it's also good to talk about it."
[Note by Auditor:] I give Michael a good acknowledgment:
[Auditor to Michael:] Right! That's Auditing [by Ambassador for Mankind]!
(Very Good Indicators of Michael Jackson)
LFBD's-F/Nind
'Michael Jackson'
Total session time: 2 hrs 31 min
Total E-meter TA-motion: 13.3 divisions
Highly specialized Telepathic Check Auditing
at 700 US $ per hour, makes 1,762 US $ total cost.
(The abbreviations F(Fall), LF(Long Fall), LFBD(Long Fall Blow
Down) and F/N(Floating Needle) describe reactions on the E-meter,
indicating mental charge (F, LF, LFBD), and release of charge
completed (F/N).
"LFBD-F/N" = truth found out. "ind" = indicated to the person.)
(See RI-610i 'Understanding the E-meter, correctly' of 26 June 96
RI-648i 'Simplicity of E-meter use, by UNDERSTANDING it' 1 Aug 96
RI-687i 'Notes on E-meter use and Solo-Auditing' 4 Sept 96
RI-771i 'Use of Telepathy' of 4 Jan 1997)
Koos Nolst Trenite - Ambassador for Mankind
Copyright 1995, 1997 by Koos Nolst Trenite
Personal Web-page:
http://ArtOrg.com
Personal Web-Library:
http://Art-Org.com
References (available at "http://Art-Org.com/ri-bulletins/ao-notes.htm"):
AO-P001 'Helping Artists, or Helping Drug-addicts, or both?' of 7 July 1981
AO-P002 'On Selling Art' of 17 Aug 1981
AO-P003 'Product or Result of Art Organization' of 25 Aug 1981
AO-P004 'Art Org - Successful Artists' of 26 Aug 1981
AO-P005 'Make your activity viable, don't kill it!' of 30 Aug 1981
AO-P006 'Can't become rich by doing what you want to do' of 30 Aug 1981
AO-P007D 'Was Ist Kunst?' (in German language) of 1982
AO-P008 'Beautiful People' of 1982
AO-P009 'Customer viewpoint differentiated' of 13 Jan 1982
AO-P010 'Courage better than hope' of 29 Jan 1982
AO-P011 'Lowered Quality does not sell better' of 3 May 1982
AO-P012 'The PURPOSE of the ART ORG' of 22 Mar 1984
AO-P013 'The Artist Horst Jansen and His Alcohol' of 26 June 1984
AO-P014 'First policy of an Artist' of 26 June 1984
AO-P015 'Selling' of 4 July 1984
AO-P016 'Sane and producing artist defined' of 20 Dec 1984
AO-P017 'Survival Training for Artists and Artlovers' of 1982
AO-P018 'People who "can't buy"' of 20 Nov 1986
AO-P019 'Thoughts on Art Org Purposes and Goal' of 18 Feb 1987
AO-P020 'Purpose of the Art Org' of 1 Oct 1987
AO-P021 'Past Lives' of 8 Oct 1987
AO-P022 'What a little good intention can do for you' of 23 Oct 1987
AO-P023 'Back to Basics - Music' of 17 Mar 1988
AO-P024 'Back to Basics (also in Art)' of 17 Mar 1988
AO-P025 'Measuring success of Art-activity by income' of 15 Aug 1989
AO-P026 'Using sales-control ethically' of 3 Oct 1989
AO-P027 'Movies - Viewpoint to choose' of 11 Mar 1990
AO-P028 'Exchange for paintings' of 25 Nov 1990
AO-P029 'Completed work of Art, when it is' of 10 Dec 1990
AO-P030 'Communication in Art' of 15 Dec 1990
AO-P031 'Beware of "Art-supporters' of 3 Apr 1992
AO-P032 'Artists and Ethics' of 10 Sept 1992
AO-P033D 'Giacomo Biffi gegen Mozart' (in German language) of 12 Sept 1992
AO-P034 'Artists starting wrongly' of 18 Sept 1992
AO-P035 'Mona Lisa' of 8 Oct 1992
AO-P036 'Rehabilitating Society fastest' of 29 Oct 1992
AO-P037 'Ghostwriter defined (by another)' of 12 Nov 1992
AO-P038 'A fable - Leonardo's Fables' of 13 Nov 1992
AO-P039 'Ethics Presence' of 15 Nov 1992
AO-P040 'Note on Art' of 17 Oct 1993
AO-P041 'Public Relations when necessary' of 17 Oct 1993
AO-P042 'Enforced Beauty' of 19 Oct 1993
AO-P043 'The Quality of a work of Art' of 4 Dec 1993
AO-P044 'Two types of salesmen' of 16 Dec 1993
AO-P045 'Artists pretending to be alive' of 28 Dec 1993
AO-P046 'Producing Confusing Art' of 15 Jan 1994
AO-P047 '"Scared and obliged to buy"' of 27 Apr 1994
AO-P048 'Responsibility of the Artist for his public' of 10 June 1994
AO-P049 'Two Types of Artists' of 30 Sept 1994
AO-P050 'New Art - Modern Art' of 21 Feb 1995
AO-P051 'How To Look At People' of 5 June 1996
References (available at the Library "http://Art-Org.com"):
RI-413RBi 'Michael Jackson broke with L. Ron Hubbard Scientology' 18 Dec 95
RI-574i 'Michael Jackson will help to keep LRH away' 23 May 96
RI-576i 'The great Diana Ross is on our side (of course)' 23 May 96
RI-581i 'L. Ron Hubbard attacks Diana Ross (the great singer)' 27 May 96
RI-665i 'Diana Ross avoided L. Ron Hubbard' of 14 Aug 1996
RI-587i 'Actress Jane Fonda Looks Through L. Ron Hubbard, now' 31 May 96
RI-593i 'German Chancellor Helmut Kohl on L. Ron Hubbard' of 11 June 1996
RI-019Ri 'Artists and Ethics' of 10 Sept 1992
RI-704Ri 'Real Art is not hard to understand' of 30 Sept 96
RI-262i 'Creating despite Suppressive Persons' of 20 Aug 1995
RI-205i 'FLAG "Tech" destroys Artists' of 8 June 1995
RI-488i 'Very able people at serious risk in Scientology' 23 Feb 1996
RI-771i 'Use of Telepathy' of 4 Jan 1997
RI-514Ri 'Confessionals and Blackmail - VERY VERY IMPORTANT' of 16 Mar 96
RI-541i 'Correct and Joyful Confessional Procedure - I' 20 Apr 96
RI-542i 'Correct and Joyful Confessional Procedure - II' 2 May 96
RI-545i 'Correct and Joyful Confessional Procedure - III' 20 May 96
RI-380Ri 'Obtaining Truth from the RI-Bulletins' of 1 Nov 1995
RI-50RQi 'RI-xxxi series Archive - Content and Use' 28 Dec 94
Revised and Replaced on 6 March 1996
These and other RI-Bulletins can well be obtained here - or
at the Library of Koos' writings on
http://Art-Org.com
or (also accessible with WWW-browser) at
ftp://thetics.europa.com/outgoing/adams/RI
Back to the RI-Bulletin index.