15 April 1997


     RI-825i  'Diana Ross, Michael Jackson, Koos and care'


from Ambassador for Mankind


Message # RI-825i for Internet



"It's actually one of my purposes
  to help artists to lead a balanced life
    with responsibility for all parts of their life
     and not only for their performance."

                        'Ambassador for Mankind'



(This is part of a series of RI-Bulletins with Diana Ross and Koos
   helping each other to care for humanity:
  Search for 'Diana Ross'
   at "http://Art-Org.com/ri-bulletins/search.html".)



Telepathic Interview with Diana Ross,
 on 14 April 1997, 20:15 GMT
 ordered by Ambassador for Mankind.


[Auditor:] We continue the session.

            [Not all sessions are being published -
             only those that clearly have useful data
              for a large number of people.  (Note by Koos)]


[Auditor:] What about Michael Jackson
            have you wanted to understand?  LFBD

[Diana:]
"I wanted to understand
  how he is fascinating his audience.  LFBD

"I looked at him, I studied him
  until I understood."


[Auditor:] What about Michael Jackson
            has Koos wanted to understand?

[Diana:]
"Koos wanted to understand
  what or who diminished Michael's life-energy."  LFBD


[Koos:] What have you understood about
         how Michael fascinates his audience?

[Diana:]
"He is embracing his whole audience.
 He is able to establish a communication to each one of them.
 He is radiating his energy into the whole space in which he performs.

"That's one thing.


"When he is singing and dancing,
  he is directly putting his energy
   onto each and everyone in the audience:

"He is dancing, he is moving his body
  and
 he is moving their bodies.

"He is singing, he is creating emotions
  and
 he is creating emotions in each and everyone in his audience.


"He is moving his audience in both senses physically and emotionally.
 He is not only moving his body on stage.
 He is performing, and he is performing his audience.

"He really 'loves them all', and shows them
  that he has an understanding
   for their thirst and desire for life.


"And he finds an insatiable [untiring, continuous, enormous] pleasure
  in performing on stage."


[Koos:] OK, that's an excellent and interesting description
         of what Michael is doing.
        Thank you for sharing it with me.

        Now, the question
          - 'What have you wanted to understand?' -
         is intended to find something
          that you wanted to understand,
           which you then broke off wanting to understand,
            for whatever reason.

        Finding that [what you broke off],
         would revitalize the desire or purpose
          to understand more.

        So, in this sense:
         What have you wanted to understand about Michael Jackson,
          which broke off, for whatever reason?  LFBD

[Diana:]
"I wanted to understand his religious group affiliation.  LFBD

"I am not talking about his religious BELIEF,
 I also don't mean just his short episode in Scientology.  LFBD

"To express it in musical energy and aliveness:
  The religious group affiliation
   seemed to me to be of an attenuating nature on [lessening]
    Michael's life-energy."


[Koos:] Which religious group are you referring to, here?

[Diana:]
"Jehova's Witnesses."  LF


[Koos:] Right. Thank you.

        Just for clarification,
         is this a group he joined
          by himself or because of his parents?

[Diana:]
"I come now to the conclusion
  that it must have been because of his parents [that he joined them]."

[Koos:] Thank you.


[Auditor:] What about Michael Jackson
            has Koos wanted to understand
             which broke off, for whatever reason?

[Diana:]
"Why Michael is not communicating to Koos
  in the physical universe."  LFBD


[Auditor:] What about Michael Jackson
            have you wanted to understand
             which broke off, for whatever reason?

[Diana:]
"Whether he separated from his wife - who brought him to Scientology -
 or whether she was asked to separate from him?"  LFBD


[Koos:] Michael has told me about that,
         that, after he was maltreated and invalidated in Scientology,
          he broke with Scientology AND with his [Scientology-]wife.

[Diana:] "Thanks."


[Koos:] Let's go to the next question.
        The next question is:
         What about Koos have you wanted to understand
          which broke off, for whatever reason?  LF's

[Diana:]
"How come that Koos took interest in me?"


[Koos:] I noticed
         that you could need some help and
         that I was in a position to give you that help, and
         that - as you already expressed it some time ago -
          we should hold more together,
           in order to prevent enslavement, spiritual enslavement,
            which is going on in various ways,
             and
         because the very able - of which you are one -
          must be strong enough
           to stand up to such attempts of enslavement.

        As you know,
         it almost killed Michael Jackson.
        (see RI-413RBi 'Michael Jackson broke with LRH Scientology' 18 Dec 95
             http://Art-Org.com/ri-bulletins/ri-413rb.htm)

        And
         it almost has killed me and almost has destroyed me
           - several times this lifetime -
          to stand up to such efforts to dominate and enslave.

        I want you to be able to stand up to it, and
         I want you to help me and help others to stand up to it.

        And we seem to be doing fine on this.  LFBD


        Is this a satisfying answer,
         or is there still something unclear about this?

        I think you understood this somehow immediately,
         at first glance,
          when I contacted you the first time,
           if I remember this correctly.
         (see RI-576i 'The great Diana Ross is on our side' of 23 May 1996
              http://Art-Org.com/ri-bulletins/ri-576i.htm)

[Diana:]
"Thank you very much.
 It is a satisfying answer.

"You are right, I understood this immediately."


[Koos:] As I remember now,
         I also noticed a [mental] attack of the being L. Ron Hubbard on you,
          which I wanted to handle and did handle.  LFBD
        (see RI-581i 'L. Ron Hubbard attacks Diana Ross' of 27 May 1996
             http://Art-Org.com/ri-bulletins/ri-581i.htm)

[Diana:]
"Thank you for your care."


[Koos:] Let's go to the next question. And that is:
         What about Michael Jackson
          has Koos wanted to understand
           which broke off, for whatever reason?

[Diana:]
"I can imagine
  that Koos would have wanted to understand
   what help Michael Jackson would need."


[Koos:] And what in particular
         would Koos have wanted to understand
          (which broke off, for whatever reason)?

[Diana:]
"Do you mean what particular HELP Michael Jackson would need?"


[Koos:] Yes, that's how I see it,
         unless you see something else, that's also fine.

        (silent looking for a while)

        I [Koos] get here
         his handling or lack of handling
          other areas and responsibilities of life
           besides that of being a performer.  LFBD

        In other words,
         he seems to be
          out of balance,  LFBD
          closed up,
          closing himself up for other areas of life
           beyond his being a performer,
         like a
          lack of responsibility
           for friends and family and
           for his own education and well-being,
          lacking in a more global view of things
           of what he could achieve
            while being a very successful performer.

        Something like that.  LFBD

        Using his influence, wealth, etc.,
         to take more responsibility for life and Mankind
          which he could do because he is an excellent performer.

        It's interesting to mention that
         and maybe a strange thing to say,  LFBD
        but
         I probably have stopped wanting to understand
          what he is doing between performances -
           which is something easily lost sight of
            with all artists,
           because of the enormous attention
            drawn towards their performance as an artist.

        Now it is me who is giving the answer!

[Diana:]
"That's a great collaboration!

"I was willingly listening to you,
  inviting you to give the answer."  LFBD


[Koos:] It's actually one of my purposes
         to help artists to lead a balanced life
          with responsibility for all parts of their life
           and not only for their performance.

[Diana:]
"Thank you so much for having expressed your goal."  LFBD

(Koos is very happy about this)


[Koos:] So, would you like to add anything to that?

[Diana:]
"I want to acknowledge you for having such a goal.
 It is a very important one.  LFBD

"It meant very much to me
  to keep such a balance, and it wasn't always easy."  LFBD


[Koos:] Good!

        So let's go to the next question:
         What about Michael Jackson
          have you wanted to understand
           which broke off, for whatever reason?  LFBD

[Diana:]
"I didn't want to understand much
  about his private life and his family life.  LFBD

"True, dominant was 'Michael the performer'!  LFBD LFBD
 I see that now!  F/Nind


[Koos:] Very good, thank you very much.

        Is there anything you want to say or ask
         before we end the session?

[Diana:]
"Thanks for your care!"  LFBD

[Koos:] All right!

                     'Diana Ross'


                                Total session time: 2 hrs 56 min

                         Highly specialized Telepathic Interview
                    at 700 US $ per hour, makes 2,053 US $ cost.



(The abbreviations sF(small Fall), F(Fall), LF(Long Fall),
 LFBD(Long Fall Blow Down) and F/N(Floating Needle) describe
 reactions on the E-meter, indicating mental charge (sF, F,
 LF, LFBD), and release of charge completed (F/N).
 "LFBD-F/N" = truth found out. "ind" = indicated to the person.)

(See RI-610i 'Understanding the E-meter, correctly' of 26 June 96
     RI-648i 'Simplicity of E-meter use, by UNDERSTANDING it' of 1 Aug 96
     RI-687i 'Notes on E-meter use and Solo-Auditing' of 4 Sept 96
     RI-771i 'Use of Telepathy' of 4 Jan 1997)


Koos Nolst Trenite - Ambassador for Mankind

Copyright 1997 by Koos Nolst Trenite


Personal Web-page:
  http://ArtOrg.com

Personal Web-Library:
  http://Art-Org.com/ri-bulletins/

Library Search Engine:
  http://Art-Org.com/ri-bulletins/search.html


References (available at "http://Art-Org.com/ri-bulletins/ao-notes.htm"):

  AO-P001  'Helping Artists, or Helping Drug-addicts, or both?' of 7 July 1981
  AO-P004  'Art Org - Successful Artists' of 26 Aug 1981
  AO-P005  'Make your activity viable, don't kill it!' of 30 Aug 1981
  AO-P006  'Can't become rich by doing what you want to do' of 30 Aug 1981

  AO-P011  'Lowered Quality does not sell better' of 3 May 1982
  AO-P017  'Survival Training for Artists and Artlovers' of 1982
  AO-P025  'Measuring success of Art-activity by income' of 15 Aug 1989
  AO-P029  'Completed work of Art, when it is' of 10 Dec 1990

  AO-P030  'Communication in Art' of 15 Dec 1990
  AO-P043  'The Quality of a work of Art' of 4 Dec 1993
  AO-P048  'Responsibility of the Artist for his public' of 10 June 1994


References (available at the Library "http://Art-Org.com"):

  RI-222Ri  'Michael Jackson, Help for him' of 1 July 1995
  RI-413RBi 'Michael Jackson broke with L. Ron Hubbard Scientology' 18 Dec 95
  RI-574i  'Michael Jackson will help to keep LRH away' 23 May 96


  RI-019Ri 'Artists and Ethics' of 10 Sept 1992
  RI-704Ri 'Real Art is not hard to understand' of 30 Sept 96
  RI-262i  'Creating despite Suppressive Persons' of 20 Aug 1995

  RI-488i  'Very able people at serious risk in Scientology' 23 Feb 1996

  RI-771i  'Use of Telepathy' of 4 Jan 1997

  RI-514Ri 'Confessionals and Blackmail - VERY VERY IMPORTANT' of 16 Mar 96
  RI-541i  'Correct and Joyful Confessional Procedure - I' 20 Apr 96
  RI-542i  'Correct and Joyful Confessional Procedure - II' 2 May 96
  RI-545i  'Correct and Joyful Confessional Procedure - III' 20 May 96


  RI-380Ri 'Obtaining Truth from the RI-Bulletins' of 1 Nov 1995
  RI-50RQi 'RI-xxxi series Archive - Content and Use' 28 Dec 94
               Revised and Replaced on 6 March 1996

These and other RI-Bulletins can well be obtained here - or

    at the Library of Koos' writings on
         http://Art-Org.com

    or (also accessible with WWW-browser) at
         ftp://thetics.europa.com/outgoing/adams/RI



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